由于现场的独特地理位置以及周边的环境，很快我们便于主理让人啊牧进行了设计的讨论，因为售卖的产品大多数为40-50年代的美式服装、箱包、以及手工饰品，所以我们想以美式复古及40-50年代的重工业作为我们设计的主要风格为定向，而周遭的环境让我们马上联想到了码头、船舶等等的元素，于是我们花了大量的时间查阅了相关的资料。考虑如何保留石碑和外立面的造型。其中90年代的一部电影作品（未来水世界）给了我们巨大的启发 于是我们大胆的将门头设计成了一艘海上行驶的“水中战舰”直破店铺上空。不仅形成视觉上的强有力冲击。还隐喻唤醒沉睡在码头15年的船舶，终将可以使向更广阔的海洋深处 建筑的外立面呈现修补船头的设计来隐喻逝去的时间，注重装饰效果的同时，延续了空间的原始生命力。通过外置楼梯从而在视觉上扩大原先的内部空间，赋予店铺个性，也提供了功能性。 室内空间装饰，沿用了蒸气工业时代特征的细致金属配件、铁皮、钢材、仿旧木纹等，展现浓厚的时间感，且与店内的古着相得映彰。 利用相对统一的细节来维持视觉形象的平衡，构成高度独立且充满力量感的空间体系，形成一个完整的有机体。 谈及美的感受或者情感体验的方式，不仅体现于视觉层面，更是深入于其中的细枝末节，构建不同的思想场域与边界认知。保留长久以来涵盖历史元素的石碑同时将符合店铺的设计融入其中，以富有远见的可持续发展理念表达了对于文化以及历史的尊重。 空间是一种以体验为基础的特殊艺术形式，对于商业空间而言，其根本性的实际功能固然重要，将无法用言语表达的精神理念借助空间进行表达，往往能够主导人们的认知与感触，在形式中诠释空间背后的深层思考的含义，进而赋予空间独一无二的风格意蕴。 主理人阿牧说：“希望这艘vintage小船可以开向梦想的远方，也希望更多人感受到vintage的美好。” Because of the unique geographical location and the surrounding environment, it was convenient for our manager to discuss the design soon. Because most of the products sold were American clothes, bags and handmade ornaments from the 1940s to the 1950s, we wanted to take American retro and heavy industry from the 1940s to the 1950s as our main design style, and the surrounding environment immediately reminded us of elements such as docks and ships, so we spent a lot of time consulting relevant materials. Consider how to preserve the shape of stone tablets and faç ades. Among them, a film in the 1990s (Future Water World) gave us great inspiration. So we boldly designed the door head as a "warship in the water" sailing on the sea, breaking straight over the shop. Not only does it form a powerful visual impact. It is also a metaphor that waking up a ship that has been sleeping in the dock for 15 years will eventually lead to a wider ocean. The facade of the building presents the design of repairing the bow to metaphor the passing time, paying attention to the decorative effect while continuing the original vitality of the space. Through the external stairs, the original internal space is visually expanded, giving the store individuality and providing functionality. Indoor space decoration follows the meticulous metal fittings, iron sheets, steel products and imitation of the characteristics of the steam industry era. Because of the unique geographical location and the surrounding environment, it was convenient for our manager to discuss the design soon. Because most of the products sold were American clothes, bags and handmade ornaments from the 1940s to the 1950s, we wanted to take American retro and heavy industry from the 1940s to the 1950s as our main design style, and the surrounding environment immediately reminded us of elements such as docks and ships, so we spent a lot of time consulting relevant materials. Consider how to preserve the shape of stone tablets and faç ades. Among them, a film in the 1990s (Future Water World) gave us great inspiration. So we boldly designed the door head as a "warship in the water" sailing on the sea, breaking straight over the shop. Not only does it form a powerful visual impact. It is also a metaphor that waking up a ship that has been sleeping in the dock for 15 years will eventually lead to a wider ocean. The facade of the building presents the design of repairing the bow to metaphor the passing time, paying attention to the decorative effect while continuing the original vitality of the space. Through the external stairs, the original internal space is visually expanded, giving the store individuality and providing functionality. Indoor space decoration follows the meticulous metal fittings, iron sheets, steel products and imitation of the characteristics of the steam industry era.